Arts

Myranda Lu ’23 Learns to Love Dance with Contemporary Expression

LOTW: Alanna Olsen ’23 Borrows Vintage Clothing Items from Parents’ Closets

After Andover: Documentary Filmmaker Robin Hessman ’90 Applies Lessons from Andover and Experiences in Russia to Career

Music Producer Max Guan ’22 Composes ‘100 Percent’ Original Music

The Controversy of Crocs

Review: “WandaVision” Episode 1 & 2 Are a Perfect Way to Re-Enter the Marvel Cinematic Universe

Seven Netflix Movies to Get You Through Winter Term

Studio Ghibli Column

Lexi Tucci ’22 Channels Creative Energy and Emotion through Dance

Digital Girl Mag Explores Unfiltered Femininity Through a Vibrant Digital Lens

Director Spotlight III: Wong Kar-Wai

“Breakfast at Tiffany’s” Review: The Past in the Present

LOTW: Cisco Hernandez ’23 Stays Productive by Dressing Up for Online Classes

Addison Update: The Addison Shares Art with the Community and Beyond While Adapting to a Covid-19 World

After Andover: Art Advisor and Curator Andrea Feldman Falcione ’83 Builds Network Through Diverse Job Experiences

Review: Shawn Mendes Experiments With Style and Themes in Album Wonder, Albeit Unsuccessfully

LOTW: Hanbie Park ’23 Finds Confidence in Monochromatic Tracksuits and Neon Colors

Papillon Youth Outreach Seeks to Amplify Confidence in Young Creators

Drama Labs Virtual Halloween Special Show Brings New Opportunities for Performers

Clarinetist Jason Huang ’21 Leads by Example in Music Groups at Andover

Magician Chris Xia ’23 Derives Motivation from Audience Interactions

LOTW: Karsten Rynearson ’22 Challenges Gender Presentation with “Femme-Divinity” Style

Read My Lips Masks Brings Smiles to the Deaf and Hard of Hearing

Preview: Virtual Production of “A Midsummer Night’s Dream” Emphasizes Individual Creativity

Review: “The Witches” Deviates Completely From Roald Dahl’s Engrossing Childhood Story

Review: “Positions” by Ariana Grande Is Repetitive and Unoriginal

Why I Hate Your Chanel Sneakers

Director Spotlight II: Agnès Varda

Review: “Rebecca” is Haunted by Past Adaptations

Review: The Threads of Mark Zuckerberg’s “Social Network”

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