Frank Turner is a classic example of a British music sensation who never gained comparable popularity in the States. While his album made the charts in the U.K., he is practically unknown in America. His style is best described as a marriage of folk singer-songwriter and alternative rock. His latest album, “Poetry of the Deed,” was released September 7, 2009 by Xtra Mile in the UK and Epitaph Records everywhere else. The first track on the album, “Live Fast Die Old,” is a dynamic anthem about enjoying life—especially youth—by embracing independence and doing what you love, declaring that “you can never sell out if you don’t buy in.” My favorite track, “Sons of Liberty,” is a historic narration laced with commentary on the flaws of big government. Both of these songs, along with many more on the album, express the importance of independence and developing a unique self-identity. The autobiographical single, “The Road,” adds a personal touch to an album largely about general themes of youth: finding oneself, being independent, and seizing the day. One of the merits of “Poetry of the Deed” is that each song is unique, unlike many other artists whose songs all sound similar. As mentioned before, the album begins with the high-energy “Live Fast Die Old.” But there are slower and sadder songs on the album too. The best example is Faithful Son, a melancholy yet peaceful tribute to his parents, explaining how he may not be who they want him to be, yet he will still remain their “faithful, only son”. Frank Turner’s music sounds much like that of many indie groups that didn’t quite make it: not weird enough for music snobs, yet not mainstream enough to become largely popular in the States. In addition, the instrumentation is by no means something unique: electric and acoustic guitars, piano and percussion accompany the vocals. But the way Frank Turner sings is spirited and personal, clearly declaring passion and emotion to be just as important as selling albums. I was introduced to Frank Turner by Zary Peretz ’11, who is a huge fan. I was excited to listen to a new artist, especially someone who was held in such high regard by one of my close friends. Unfortunately, when I first listened to the album, I was not very impressed. To me, Frank Turner sounded a lot like Flogging Molly, only without the fiddles, which are my favorite. But I soon discovered that not only is Frank Turner unique—with every song its own entity and care put into each one—but also that the fiddle is present in “Sons of Liberty,” my personal favorite. The best feature is without a doubt the powerful expression in Frank Turner’s vocals paired with terrific lyrics. “Poetry of the Deed” may not be a musical breakthrough full of unique techniques and themes, but it is definitely worth hearing. Grade: 4+
